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| 2013 |
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Hoferer/Schoell, Pro Arte, Ulmer Kunststiftung, Ulm, Germany |
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Tenri Cultural Institute, New York, NY |
| 2010 |
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Drawings, Hosfelt Gallery, San Francisco, CA |
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Coptic Light, Smack Mellon, Brooklyn, NY |
| 2009 |
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3 Räume / 3 Rooms, KunstBüroBerlin, Berlin, Germany |
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Malibu, New York Public Library, New York, NY |
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ART Karlsruhe, KunstBüroBerlin, Karlsruhe, Germany |
| 2008 |
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Visible/Invisible, Galerie Mourlot, New York, NY |
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Off the Grid, Academy Art Museum, Easton, MD |
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Unknown, Dust Gallery, Las Vegas, NV |
| 2006 |
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Fieldwork, Kentler International Drawing Space, Red Hook, Brooklyn, NY |
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The Imperfect Grid, Trustman Art Gallery, Simmons College, Boston, MA |
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Boston Drawing Project, Bernard Toale Gallery, Boston, MA (with Jacqueline Ott) |
| 2005 |
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Less is More, Dust Gallery, Las Vegas, NV (with Jennifer Riley) |
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Hoferer / Hobler-Keene, Kenise Barnes Fine Art, Larchmont, NY |
| 2004 |
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Drawings, OH+T Gallery, Boston, MA |
| 2003 |
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Ayr, Sandler Hudson Gallery, Atlanta, GA (with Ilene Sunshine) |
| 2002 |
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Fliegenmuster, Galerie im Kunsthaus Erfurt, Germany |
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| 2012 |
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Material Occupation, University Art Museum, Albany, NY (catalogue) |
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Mic Check: Occupy, Sideshow Gallery, Brooklyn, NY |
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Paper Band, Jason McCoy Gallery, New York, NY |
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Of White, Nuartlink Gallery, Westport, CT |
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Textility, Visual Arts Center of NJ, Summit, NJ (catalogue) |
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The White Show Part Two, Pittsburgh Center for the Arts, Pittsburg, PA |
| 2011 |
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Extended Drawing, Tegnerforbundet, Oslo, Norway |
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Zeichnungen, Galerie Gudrun Fuckner, Ludwigsburg, Germany |
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Silver: Point of Departure, Susan Tinney Gallery, Nashville, TN |
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Drawing Gifts 8th Annual Benefit Auction for the Drawing Center, Phillips de Pury & Company, NYC (catalogue) |
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Sommerausstellung, KunstBüroBerlin, Berlin, Germany |
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Black and White; extreme value, NYIT Gallery 61, New York, NY |
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Fullhouse, Galerie Gudrun Fuckner, Ludwigsburg, Germany |
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Marked Differences / Selections from the Kentler Flatfiles, Kentler International Drawing Space, Brooklyn, NY |
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The 2011 Paper Biennale, Amataras Foundation, Sofia, Bulgaria (catalogue) |
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Divergent Affinities, Wexler Gallery, Philadelphia, PA |
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The White Show, Clarion University Art Gallery, Clarion, PA |
| 2010 |
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Modern Drawings: Tracing 100 Years, Academy Art Museum, Easton, MD |
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Summer show, Galerie Jan Dhaese, Gent, Belgium |
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Inaugural Show, Heather James Fine Art, Jackson, Wyoming |
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Novemberausstellung, Galerie 5 Räume, Ludwigsburg, Germany |
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Stuck Up, Islip Art Museum, East Islip, NY |
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Wall Drawing, Hosfelt Gallery, San Francisco, CA |
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Black and White, Metaphor Contemporary Art, Brooklyn, NY |
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Luminous Lines: Contemporary Drawings in Metalpoint, , Scripps College, Claremont, CA |
| 2009 |
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Apparently Invisible: Selections Spring 2009, Drawing Center, New York, NY |
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Attention to Detail, Heather James Fine Art, Palm Desert, CA |
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2009 International Incheon Women Artists' Biennale, Seoul, Korea |
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The Coldest Winter I Ever Spent Was A Summer In San Francisco, Hosfelt Gallery, San Francisco, CA |
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Black and White, Hosfelt Gallery, New York, NY |
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New Work , Hosfelt Gallery, New York, NY |
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Office Space, Rockland Art Center, Nyack, NY |
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Beyond the Fray, Artsites, Riverhead, NY |
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Reinventing Silverpoint, Kentler International Drawing Space, Brooklyn, NY |
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Reinventing Silverpoint, Connecticut College, Cummings Art Center, New London, CT |
| 2008 |
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White Out, Gallery 66, New York, NY |
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Office Space, New Art Center, Newton, MA |
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3.Biennale der Zeichnung, Kunstverein Eislingen, Germany |
| 2007 |
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Variations in Black and White, BAM Brooklyn Academy of Music, Brooklyn, NY |
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Künstlerkreis Ortenau, Galerie im Artforum, Offenburg, Germany |
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White as Color, Tengelsen Gallery, Art League of Long Island, Dix Hills, NY |
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Chance and Necessity, Kentler International Drawing Space, Red Hook, Brooklyn, NY |
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Pattern vs. Decoration, Hosfelt Gallery, San Francisco, CA and New York, NY |
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Paved Paradise, Allen Gallery, New York, NY |
| 2006 |
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Saltonstall Exhibit, Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY |
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Afloat, Overtones, Los Angeles, CA |
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Architectural Elements, Dust Gallery, Las Vegas, NV |
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Art on Paper, Weatherspoon Art Museum, University of North Carolina at Greensboro, NC |
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Winter Salon, Lesley Heller Gallery, New York, NY |
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The Presence of Absence, Gallery W 52, New York, NY |
| 2005 |
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National Drawing Invitational, Arkansas Arts Center, Little Rock, AR |
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Summer Show, The Tank, New York, NY |
| 2004 |
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Black, White and Inbetween, OH+T Gallery, Boston, MA |
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Drawings, Sandler Hudson Gallery, Atlanta, GA |
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Collectors Show and Sale, Arkansas Arts Center, Little Rock, AR |
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Staccato, Jeffrey Coploff Fine Art, New York, NY |
| 2003 |
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Pins and Needles, John Michael Kohler Arts Center, Sheboygan, WI |
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Underscore Understated, Patricia Sweetow Gallery, San Francisco, CA |
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Frequencies, Marist Art College Gallery, Poughkeepsie, NY |
| 2002 |
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Layered, Jeffrey Coploff Fine Art, New York, NY |
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NY/B, Galerie sphn, Berlin, Germany |
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Post-Systemic Art, Hunterdon Museum of Art, Clinton, NJ |
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Ordinate/Coordinate, Kenise Barnes Fine Art, Larchmont, NY |
| 2001 |
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Subtle, Workspace, New York, NY |
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Farbiges Weiss, Galerie Kemper, Munich, Germany |
| 2000 |
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Winter Paper, Catherine Moore Fine Art, New York, NY |
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Space •Time • Links, Alte Spinnerei, Baar, Switzerland |
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Surface Tensions, Spaces, Cleveland, OH |
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Skin Deep, Gallery Korea, New York, NY |
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Flurry, Rotunda Gallery, Brooklyn, NY |
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| 2012 |
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Pollock-Krasner Foundation, Grant |
| 2011 |
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VCCA-France, Moulin a Nef, Auvillar, France |
| 2010 |
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Virginia Center for the Creative Arts, Amherst, VA |
| 2009 |
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New York Foundation for the Arts, NYFA Fellowship |
| 2008 |
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Change, Inc., Robert Rauschenberg Fellowship |
| 2007 |
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MacDowell Colony, Peterborough, NH |
| 2006 |
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Edward Albee Foundation, Montauk, NY |
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Loft Nota Bene, Cadaques, Spain |
| 2005 |
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MacDowell Colony, Peterborough, NH |
| 2004 |
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Pollock-Krasner Foundation, Grant |
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Fundacion Valparaiso, Mojacar, Spain |
| 2002 |
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Djerassi Foundation, Woodside, CA |
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Edward Albee Foundation, Montauk, NY |
| 1999 |
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Millay Colony for the Arts, Austerlitz, NY |
| 1998 |
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The Saltonstall Foundation, Ithaca, NY |
| 1997 |
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Artist in the Marketplace (AIM 17), Bronx Museum of the Arts, NY |
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Edward Albee Foundation, Montauk, NY |
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| Academy Art Museum, Easton, MD |
| Arkansas Arts Center, Little Rock, AR |
| Bellagio Collection, Las Vegas, NV |
| Busch-Reisinger Museum, Harvard Art Museums, Cambridge, MA |
| Cap Z, New York, NY |
| Collection at Coventry, Fort Washington, PA |
| Columbus Museum, Columbus, GA |
| Maxine and Stuart Frankel Foundation for Art, Bloomfield, MI |
| Houston Museum of Fine Arts, Houston, TX |
| Werner Kramarsky, New York, NY |
| Kupferstichkabinett, Staatliche Museen zu Berlin, Germany |
| Saks Fifth Avenue |
| Spiegel Foundation, Beverly Hills, CA |
| Weatherspoon Art Museum, The University of North Carolina at Greensboro, NC |
| Zurich Capital Markets, New York, NY |
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| 2001 |
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Zurich Capital Markets, One Chase Manhattan Plaza, New York, NY |
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| 2011 |
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Edgy Crafts, Philadelphia Inquirer, January 16, 2011 |
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Killinger, Astrid. Kunstwerke an den Fenstern. LKZ, December 10, 2011 |
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Volles Haus in Ludwigsburg. Sur, December 2011 |
| 2009 |
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Becker, Jenny. Atem des Lichts, Tagesspiegel. October 22, 2009 |
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Thiele, Carmela. ART Karlsruhe "Reiz der Idylle", Tagesspiegel. March 7, 2009 |
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Thiele, Carmela, Megan. Die Lust des Bilderaufspuerens, Badische Neue Nachrichten. March 6, 2009 |
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Apparently Invisible: Spring Selections 2009, The Architect's Newspaper. March 4, 2009 |
| 2008 |
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Garwood, Megan. Marietta Hoferer: Visible / Invisible at Galerie Mourlot, M/The New York Art World, 11.2008 |
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Ermen, Reinhard. 3. Biennale der Zeichnung. Kunstforum Bd. 192/2008 |
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Leisten, Georg. Papierkrieg der Lineaturen. Stuttgarter Zeitung 27.5.08 |
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Böttcher, Ursula. Die Zeichnung ist ein weites Feld. NWZ 23.6.08 |
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Keene, Jarret. Sticky Fingers. Las Vegas City Life |
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Peterson, Kristen. Out of tape, plastic and a ‘motel’. Las Vegas Sun |
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Fagan, Sarah E. Office Space. Artscope Jan/Feb 2008 |
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McQuaid, Cate. Working artists. The Boston Globe |
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Bergeron, Chris. Turning office clutter into art. Daily News Tribune |
| 2007 |
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Das scheinbar Konstruktive ist nur eine Taeuschung. Badische Zeitung |
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Hagedorn, Jutta. Von Raum, Licht und der Schrift.. Offenburger Tageblatt |
| 2006 |
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Riley, Jennifer. Marietta Hoferer Fieldwork. The Brooklyn Rail |
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Frank, Peter. Two Three-fers. LA Weekly |
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Twardy, Chuck. The Ideal and the possible. Las Vegas Weekly |
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Peterson, Kristen. Structures come to life in Architecture Show. Las Vegas Review Journal |
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Peacock, Leslie Newell. Groundbreakers in the 10th Drawing Invitational. Arkansas Times |
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Twardy, Chuck. Dust Gallery boasts smart pairing. Las Vegas Weekly |
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Yowell, Erika. Less is more at Dust Gallery. Las Vegas Mercury |
| 2004 |
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McQaid, Cate. Transporting their art past the merely lovely. The Boston Globe |
| 2003 |
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Adams, Olaniyan. Introductions 2003. www.stretcher.org/archives |
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Cullum, Jerry. Fresh ‘Ayr’ in experiments with space. The Atlanta Journal-Constitution |
| 2002 |
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Johnson, Ken. Layered. New York Times |
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Bischoff, Bydan. A kaleidoscope of wit and whimsy. The Star-Ledger |
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Sienzant, Tony. Post-systemic art brings new life to the ordinnary. The Express-Times |
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Opitz, Silke. Zweckfreie Zwecke. Thueringer Allgemeine, Feuilleton |
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Koenig, J. Musterhafte. Spielarten. Thueringer Allgemeine |
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Peukert, Brigitte. Ein “Worteppich...”. Thueringer Landeszeitung |
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Peinhardt-Franke, Ingrid. Kunstspaziergang. Aachener Nachrichten |
| 2001 |
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Johnson, Ken. Subtle. New York Times: November 23, 2001 Art Guide |
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Jerry Cullum. Lots of variations within ‘Repetition’. The Atlanta Journal-Constitution |
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Cathy Byrd. Repetition. Creative Loafing |
| 2000 |
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Utter Douglas. The Untouchables. Cleveland Free Times |
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Johnson, Ken. Flurry. New York Times, Art Guide p.E54 |
| 1997 |
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Cotter, Holland. A Flock of Fledglings, Testing Their Wings. New York Times |
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